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Writing Samples

Charles Sheeler

Charles Sheeler: Modernist at the Met

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May 2020

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Completed in congjunction with the Metropolitan Museum of Art Curatorial Practice Program, under the guidance of  Dr. Stephan Wolohojian, Department of European Painting.

Double Vision

Double Vision: Art, Commerce, and Race in George N. Barnard’s Stereocards

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December 2019

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Version of paper presented at "NYPL Hidden Gems — Race, Politics and Photography."  The Miriam and Ira D. Wallach Division of Art, Prints and Photographs, The New York Public Library in conjunction with the Doctoral Program in Art History, Graduate Center, CUNY, January 30, 2020.  

Blank Space

Blank Space: SC192 and the Robert Rauschenberg Blueprint Study Collection

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December 2019

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Original research from this paper presented at “Blueprints at the Robert Rauschenberg Foundation: A Research Methodology.” Blueprint Study Day,  The Robert Rauschenberg Foundation, in conjunction with the Master Program in Art History, Hunter College, CUNY November 21, 2019.

Avedon's Creature

Avedon’s Creature: Parody, Performance, and Commerce in The Fabulous Fifties.

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May 2019

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Paper presented  at “Commercial Pictures and the Arts and Technics of Visual Persuasion," Hagley Museum and Library Fall Conference, November 8, 2019.

Zapatista

Zapatista: Imagery of the Peasant Revolutionary

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May 2017

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Catalogue published in conjunction with exhibition held at the Gund Gallery, May 2017.

Rose 
Bishop
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